Aria the Animation #13 & #12: That White Morning…/That Soft Wish…

The year ends with a surprise visit from a friend. Ai is excited to meet the people she had read about in Akari’s letters. Her tour of Neo-Venezia even includes a visit to one of the mysterious alleys that’s hidden to most people where they meet a ghost from the past. The cat that appeared as a human had asked Akari to deliver a letter for her. She also had to receive the message, because it’s original had died long ago. But it still had meaning to her as someone living in the world they created. Each year that goes by is a page in a letter written for future generations to read.

Akari wrote her so Ai would understand how much she loved Neo-Venezia. Because Ai will become an apprentice undine herself one day, and follow in Akari’s footsteps, it’s as if she’s been reading her own future. Unlike the messages of history, Ai is able to meet the people who are preparing her place in the city. The people of the past are separated by time. But by the magic of Aqua, Akari is allowed to cross an unpassable bridge.

Alicia tells her that the bridge used to be a place people visit out of nostalgia. There are prettier landmarks in Neo-Venezia. Why would a visitor want to see a run-down bridge? A covered bridge doesn’t fit the image of Venice. What it provides is a reminder of the ambition of the people who built Neo-Venezia. The excitement Akiko feels is in seeing the young children who are watching the city be born. It also comes from the patience of the older settlers. They won’t live to see their creation fulfilled, but are happy knowing that the next generation will take what they started and carry it for a time before passing to their grand-children.

The story of Aqua is the story of Aria Company. What Grandma began was continued by Alicia who leaves it in Akari’s care. Even Ai, having learned from Akari’s letters, will think of the child Aqua as she takes her place in this continuing saga. And if we turn the pages backward to before there was an Aqua then it must have started when someone on planet Earth looked to the sky and thought, “What letter can I write for future generations to read?”

Or perhaps she just said, “Happy New Year.” It means the same thing.

This is the last week in my year of Aria. The experiment to watch the series out-of-order was not as successful as I thought it might be. I admit to forcing this week’s two episodes to be the last. But Aria is enjoyable no matter how you approach it. This way I could see contrast between the earlier and later episodes, and also the similarities or when an event had been set-up by something that happened earlier.

The staff and cast of Aria have reason to be proud. Although there will not be any more Aria, Kozue Amano continues to write the charming and uplifting manga Amanchu!. Satou Junichi has gone on to direct many other “healing” anime such as Tamayura. (A story I describe as being about Akari’s great-great-great-great grandmother.) It seems to me that everywhere I look I hear Chiwa Saitou’s voice. And who cannot help but think of Alicia whenever Sayaka Oohara laughs?

But most of all I remember Tomoko Kawakami and Eri Kawai. The time we’ve been given can be taken from us easier than we’d like. As you turn the calendar to a new year, do your best to treat every day as wonderful encounter.

Thank you for reading.

Aria the Animation #4: That Undeliverable Letter…

An encounter with a young girl leads Akari on a tour of the ocean and a brief history lesson about how Mars was terraformed. Aqua is not a paradise; the current peaceful life Akari and the others enjoy comes from the sacrifices made by the engineers at the pumping station and others. The letter she delivers is a message of gratitude to the people who created a world that they themselves wouldn’t be able to enjoy.

Akari is told that she’s the only one who can deliver the letter. Ami pleads for her message to be heard. Does she mean the contents of the letter? Or is it Akari that she’s reaching out to? This is her first meeting with the cats of Neo-Venezia and Akari isn’t afraid. Though that may be because she doesn’t yet understand what she’s stepped into. With kindness and sincerity she passes the test. Cait Sith must be standing in the shadows, watching this and smiling mysteriously.

Next week’s episode is Aria the Origination #8: That Important Person’s Memories…

Aria the Natural #20: That Shadowless Invitation…

Legend and rumor spring forth in all places at all times. Stories told about something that happened to “a friend of a friend” are repeated, embellished, and become almost alive themselves. Perhaps the most mysterious thing about myths is how they seem to want to be told, and will seek out victims to entrap in a web of lies, half-truths, and distorted reality.

If you don’t want to be “spirited away” by a myth, you need a vigilant skepticism. It’s no wonder that Akari so often finds herself drawn into that ethereal world. But the attention she’s received from the spirit of Aqua is a good thing now. As early as that morning, the cats of the city were watching her. Perhaps they keep an eye on her every day, and report their observations to Cait Sith. Or did they sense that the lady in black was in Neo Venezia? Whatever the case, Akari is fortunate to be under their protection.

The “Columns of Justice” were erected in 1268 after being taken from Lebanon. A third pillar sunk during the voyage. They are topped by statues of St. Theodore, the original patron of Venice, and a lion representing St. Mark. As well as holding executions there, it is the only place in Venice where gambling is allowed.

Today was hot, and watching this episode made me feel hotter. I bet Aika is glad she has short hair now. By the way, what happened to Akari’s gondola?

Next week, Aria the Natural #8: The Day of Festa Del Bòcolo…

Aria the Natural #16: Parting With That Gondola…

The word used for “fate” is 縁. One of its meanings is the bond between two people, as in 縁結び, marriage. An undine is married to her gondola. This is an emotional change in Akari’s life. Like when she graduated from pair to single, and when she will one day become a prima. She spends her last day with the gondola remembering the important events of her past.

Akari’s backward rowing technique is a shock to Alicia. Her way of gently correcting Akari is evident as it was in That Wonderful Extracurricular Lesson. Before coming to Aqua, Akari practiced in rowboats on Manhome. She had never actually seen a gondola in action. How could someone like that become an apprentice at Aria Company?

She reminisces about meeting Akatsuki, who was (and still is) too poor to afford a ride from a prima. As a self-professed fan of Alicia, I don’t think it’s a coincidence that he was Akari’s first customer. How excited must he have been to learn that his idol had taken an apprentice? Now he can finally ride in a gondola with Alicia, even if it’s a black one.

As she remembers meeting Alice, eating fresh baked potatoes with Ai, helping the mailman, and other experiences, she prepares herself to move on to a new gondola. Alicia also watches and thinks about Akari’s next stage in life. The bumps and scratches on the gondola represent Akari’s inexperience that is being left in the past. Now she can navigate even the most difficult canals in Neo Venezia with confidence. Alicia isn’t just seeing Akari get a new gondola, she’s seeing her future as a full-fledged prima. But not yet. The mysterious customer said to go to the fork in the canal. When he got there, though, he asked to keep going. Akari could have taken that other route, but she’ll stay on this path for just a little longer.

While looking it up in the dictionary, I also saw the phrase 縁の下の力持ち, a person who does a thankless task. What a description of the poor gondola who had to be Akari’s training partner.

This Sunday is the birthday of Kozue Amano. None of this would be possible without her. And though the book has been closed on Aria, she’s still working her magic (this time under the water) with Amanchu!. I also was remiss for forgetting Eri Kawai’s birthday on May 8th. She provided many of the wonderful music for Aria as well as being the singing voice for Athena.

The next episode is Aria the Natural #20: That Shadowless Invitation…

Aria the Natural #5: The Wonder Of That Rainy Day…/The Discoveries On That Spring Day…

This episode could have been titled “Wherever you go, there you are.”

In two short stories that take place away from Neo-Venezia, we see Akari come across diverging paths. Because she isn’t a cranky old man living in New England, she doesn’t spend much time in thought, but chooses one then goes along with it. The ability to live in the moment is Akari’s gift. When she makes a decision, it’s with little hesitation and no regret afterwards. If you look too far into the future, or are not able to leave the past behind, you’ll miss the world around you right now.

The fox’s wedding can be attributed to this. We see the boy the whole time, playing with President Aria, then following Akari. At first, Akari isn’t aware of him because Alicia is with her. But when left alone, Akari’s clear vision allows her to see the spirits that surround her. A similar thing happens when she meets Cat Sith. Most people are wrapped-up in themselves and ignore such fascinating creatures. It is more difficult to see them because they are unusual and unexpected. That Akari is able to see them is just as fascinating to the spirits. In a more metaphorical sense, these “spirits” represent the fascination of ordinary things that often go unnoticed. When your mind is filled with thoughts about what was, what will be, or what you think should be, you lose the ability to see things for what they really are.

Cherry blossoms are commonplace throughout anime, and so are quaint railroad cars. This isn’t the only time I’ve seen a scene like this. Unlike an American show where a broken-down machine is a symbol of neglect and misery, the lone rail car here has a sense of peace to it. It looks more like a retired horse idly living out its last care-free days in a breezy pasture. The young undines come to visit and reflect on the past efforts that led to the world they’re living in now. It fills them with hopeful ambition to work just as hard as the people who built that railroad. Then, far in the future, they’ll be able to retire to their own pasture. This also makes me think of another breezy hilltop that overlooks Neo-Venezia. But there’ll be time for that later.

Spell Card: Undine Sign “Suteki”

No Aika in this episode. But we’ll more than make up for it next week with Aria the Natural #19: That Crybaby…/That Young Girl’s Heart…