Aria the Animation #13 & #12: That White Morning…/That Soft Wish…

The year ends with a surprise visit from a friend. Ai is excited to meet the people she had read about in Akari’s letters. Her tour of Neo-Venezia even includes a visit to one of the mysterious alleys that’s hidden to most people where they meet a ghost from the past. The cat that appeared as a human had asked Akari to deliver a letter for her. She also had to receive the message, because it’s original had died long ago. But it still had meaning to her as someone living in the world they created. Each year that goes by is a page in a letter written for future generations to read.

Akari wrote her so Ai would understand how much she loved Neo-Venezia. Because Ai will become an apprentice undine herself one day, and follow in Akari’s footsteps, it’s as if she’s been reading her own future. Unlike the messages of history, Ai is able to meet the people who are preparing her place in the city. The people of the past are separated by time. But by the magic of Aqua, Akari is allowed to cross an unpassable bridge.

Alicia tells her that the bridge used to be a place people visit out of nostalgia. There are prettier landmarks in Neo-Venezia. Why would a visitor want to see a run-down bridge? A covered bridge doesn’t fit the image of Venice. What it provides is a reminder of the ambition of the people who built Neo-Venezia. The excitement Akiko feels is in seeing the young children who are watching the city be born. It also comes from the patience of the older settlers. They won’t live to see their creation fulfilled, but are happy knowing that the next generation will take what they started and carry it for a time before passing to their grand-children.

The story of Aqua is the story of Aria Company. What Grandma began was continued by Alicia who leaves it in Akari’s care. Even Ai, having learned from Akari’s letters, will think of the child Aqua as she takes her place in this continuing saga. And if we turn the pages backward to before there was an Aqua then it must have started when someone on planet Earth looked to the sky and thought, “What letter can I write for future generations to read?”

Or perhaps she just said, “Happy New Year.” It means the same thing.

This is the last week in my year of Aria. The experiment to watch the series out-of-order was not as successful as I thought it might be. I admit to forcing this week’s two episodes to be the last. But Aria is enjoyable no matter how you approach it. This way I could see contrast between the earlier and later episodes, and also the similarities or when an event had been set-up by something that happened earlier.

The staff and cast of Aria have reason to be proud. Although there will not be any more Aria, Kozue Amano continues to write the charming and uplifting manga Amanchu!. Satou Junichi has gone on to direct many other “healing” anime such as Tamayura. (A story I describe as being about Akari’s great-great-great-great grandmother.) It seems to me that everywhere I look I hear Chiwa Saitou’s voice. And who cannot help but think of Alicia whenever Sayaka Oohara laughs?

But most of all I remember Tomoko Kawakami and Eri Kawai. The time we’ve been given can be taken from us easier than we’d like. As you turn the calendar to a new year, do your best to treat every day as wonderful encounter.

Thank you for reading.

Aria the Animation #1: That Wonderful Miracle…

Leaving Manhome by herself must have been inconvenient for Akari. But it was necessary to achieve her dream of becoming an undine. Ai’s childish mind dislikes inconveniences and is annoyed when she can’t do what she wants. Or she becomes jealous instead of sharing the happiness of her sister’s trip to Neo-Venezia. So she forces her way onto Akari’s gondola then complains about it.

Ai is acting selfishly, but simply saying “no” to her and forcing her to do things she doesn’t like will increase her bitterness. Akari and Aika treat Ai as a friend so they can give her something nice to associate with the “inconvenient” gondola. In this way they server their customer not by giving her what she wants but what she needs. The memories Ai takes from her first visit to Neo-Venezia are a result of Akari’s cheerfulness. The mails they’ll write to each other will help them both grow.

The theme of this episode was turning unpleasant things into pleasant things. Much like the dry and barren Mars was transformed into Aqua. The planet now has its own environment and lifestyle that isn’t as convenient as the mature world of Manhome. Just as Akari’s new life is more difficult than if she had never left. We each have to set comforts aside so we can create a new world just for ourselves.

Just two more weeks left. Next week I’ll watch Aria the Natural #17: After That Rainy Night… and also the last Aria the Origination picture drama. That leaves two more episodes to end the year with.

Aria the Natural #1: That Encounter At The Carnevale…

The fairy standing in the doorway holds up his hand. Behind him, Akari can see figures moving about as jasmine petals drift in the warm breeze. It’s a world off-limits to her. That morning, she was looking through a different doorway and seeing a different vision. “I’m a member of Aria Company today,” Ai proudly proclaimed as Alicia served her breakfast. One day she’ll be able to say that while wearing the gloves of an apprentice as Akari stands in Alicia’s place. This is their future, but like the kingdom of the cats they can only look through the doorway.

The Carnival, as is well known, is the time leading up to the Lenten fast. Carnival-goers spend two weeks indulging in food, wine, and each other to prepare themselves for the month and a half they will have to go without. The first Carnivals of Venice were held to celebrate the victory over Aquileia in 1162. The patriarch Ulrich II was made to give 12 pigs and a bull as tribute. This may be why during the 17th century the city would host a running of the bulls during Carnival. Thankfully, this is a tradition that has not been carried into modern times.

Putting on a mask is like becoming a different person. It gives you the courage to try things you might not normally do. As her friends gathered together, we saw Akari standing back and looking at them as an outsider. We learned in The Center Of That Large Circle that she has the habit of excluding herself that way. The invitation from Cait Sith was to become part of the Carnival celebration; run through the streets of Neo-Venetia, singing and dancing. He is urging Akari to see herself as part of the city, and part of the group of friends who surround her.

Ai is the only human other than Akari to have seen Cait Sith. Why did he allow her into this hidden side of Neo-Venezia? Cuteness needs no excuse.

Because I want to finish watching all the episodes this year, I’m doubling-up next week. Aria the Natural #26: That White, Kind City… and Aria the Animation #10: That Warm Holiday…

Aria the Origination #13: To That New Beginning…

Akari has a question about the account book for Aria Company, but when she turns around, Alicia isn’t there. She’s retired now, and Akari is alone. This time, it’s not a dream. The sadness of having to say goodbye is mixed with the joy of a hopeful future. Akari now feels that she is a person Alicia can rely on.

Then Alicia confesses that she is already relying on Akari. When a mentor teaches an apprentice, or a parent to a child, the student will necessarily take on some of her instructor’s personality. Akari was afraid to let go of Alicia because Alicia didn’t want to be alone.

Akari was never at risk of feeling lonely. Now that she’s a prima, her days are full of customers, talking with other undines and business owners, and the many friends she’s made in Neo-Venezia. Alicia, although newlywed and working full time in the Gondola Association, still goes out of her way to drop by Aria Company. In time, she’ll visit less often. But then Akari will be busy teaching her own apprentice. That young pair will grow up under the influence of Akari’s personality, as Akari had grown under Alicia’s.

That concludes three weeks all about Alicia. Next week is a lighter episode, Aria the Natural #11: That Precious Sparkle…

Aria the OVA: Arietta

Akari is again feeling anxious about her future. Not an uncertain future, but one that she knows what’s to come. She see’s it as a big change in her life and is worried that she isn’t ready. Alicia shares her own worries and shows that Akari is closer to her than she realizes.

Akari’s loneliness is easily cured by the many people she encounters during the day. Not only her close friends, but the other people who work and live in Neo-Venezia, and the customers who come to visit. One day Akari will have Aria Company to herself, but she won’t be alone. Just as Akira and Athena were there to support Alicia after Grandma left.

Alicia then, as Akari is now, felt the next stage of her life as a looming presence. She hesitated to move on because it seemed too big for her to handle. She needed to look at her life from a different perspective, one that made her problems appear smaller. Like the view from the top of the Campanile. Seeing the city from that height put her worries in perspective. For Akari, she didn’t need to see it but just hearing the quiet pulsing of Neo-Venezia at night was enough to put her at ease.

We’ll see just how at ease Akari is next week when I watch Aria the Origination #13: To That New Beginning… The very last episode of Aria.

Aria the Natural #25: The Fruits Of That Encounter…

As a story that takes place in the future, Aria has a message of hope running throughout. This is brought to the forefront in this closing episode to the second TV broadcast. The apprentices have to host a party. It’s something they’ve never done on their own, but not something they aren’t ready for. The confidence and maturity of these young girls is not lost on their mentors. The older undines may be the “Three Fairies,” but watching Akari, Aika, and Alice row together, it’s apparent that they will one day take that title for themselves. Which is just what they’ve been training for as the successors to Alicia, Akira, and Athena. When they become primas, it’ll be the realization of the hopes that have been passed down from their seniors.

Wishing alone won’t make anything happen, though. It takes work to turn hope into reality. So the first half of this episode shows the girls preparing for the party. It’s a reflection of their life as apprentice undines. The preparation required to become a prima is a difficult ordeal. Aria tells the story of this time and how Akari remains cheerful because of her hope that she will be able to succeed.

The uncertainty of the future means that we sometimes have to hope for something when there is no assurance that it will happen. Akari invites Ai to the party even though she hasn’t been receiving her emails recently. It almost doesn’t happen, but Ai is able to arrive just in time. She and Akari are bound by destiny, it seems. Much like Akari’s ability to attract the supernatural forces of Aqua.

The Redentore festival ends with a display of fireworks. And on that note, we turn to Aria the Origination Picture Drama #5: Alice’s Ghost Story. This also occurs during a summer festival. Alice shows valiant patience as she tries to tell her story with so many interruptions by Aika and Akari. Or she was just that committed to finishing because she put a lot of effort into the story. Like how she made those Redentore invitations “during a lunch break.” (Or so she claimed.)

Seeing fireworks seems fitting for this time of year. Next Thursday is the 4th of July, after all. I’ll be watching Aria the Origination #5: That Keepsake Clover…