Aria the Animation #13 & #12: That White Morning…/That Soft Wish…

The year ends with a surprise visit from a friend. Ai is excited to meet the people she had read about in Akari’s letters. Her tour of Neo-Venezia even includes a visit to one of the mysterious alleys that’s hidden to most people where they meet a ghost from the past. The cat that appeared as a human had asked Akari to deliver a letter for her. She also had to receive the message, because it’s original had died long ago. But it still had meaning to her as someone living in the world they created. Each year that goes by is a page in a letter written for future generations to read.

Akari wrote her so Ai would understand how much she loved Neo-Venezia. Because Ai will become an apprentice undine herself one day, and follow in Akari’s footsteps, it’s as if she’s been reading her own future. Unlike the messages of history, Ai is able to meet the people who are preparing her place in the city. The people of the past are separated by time. But by the magic of Aqua, Akari is allowed to cross an unpassable bridge.

Alicia tells her that the bridge used to be a place people visit out of nostalgia. There are prettier landmarks in Neo-Venezia. Why would a visitor want to see a run-down bridge? A covered bridge doesn’t fit the image of Venice. What it provides is a reminder of the ambition of the people who built Neo-Venezia. The excitement Akiko feels is in seeing the young children who are watching the city be born. It also comes from the patience of the older settlers. They won’t live to see their creation fulfilled, but are happy knowing that the next generation will take what they started and carry it for a time before passing to their grand-children.

The story of Aqua is the story of Aria Company. What Grandma began was continued by Alicia who leaves it in Akari’s care. Even Ai, having learned from Akari’s letters, will think of the child Aqua as she takes her place in this continuing saga. And if we turn the pages backward to before there was an Aqua then it must have started when someone on planet Earth looked to the sky and thought, “What letter can I write for future generations to read?”

Or perhaps she just said, “Happy New Year.” It means the same thing.

This is the last week in my year of Aria. The experiment to watch the series out-of-order was not as successful as I thought it might be. I admit to forcing this week’s two episodes to be the last. But Aria is enjoyable no matter how you approach it. This way I could see contrast between the earlier and later episodes, and also the similarities or when an event had been set-up by something that happened earlier.

The staff and cast of Aria have reason to be proud. Although there will not be any more Aria, Kozue Amano continues to write the charming and uplifting manga Amanchu!. Satou Junichi has gone on to direct many other “healing” anime such as Tamayura. (A story I describe as being about Akari’s great-great-great-great grandmother.) It seems to me that everywhere I look I hear Chiwa Saitou’s voice. And who cannot help but think of Alicia whenever Sayaka Oohara laughs?

But most of all I remember Tomoko Kawakami and Eri Kawai. The time we’ve been given can be taken from us easier than we’d like. As you turn the calendar to a new year, do your best to treat every day as wonderful encounter.

Thank you for reading.

Aria the Natural #15: The Center Of That Large Circle…

Akari feels left out as these old friends share a story from their past. She should learn from the young Akatsuki that friendship doesn’t care if you look cool or if you fall flat on your face. The important thing is daring to try. Akari took that leap when she left Manhome for Aqua. Without realizing it, she’s become part of many new memories. Some day she and her friends will reminisce about these days when she was a single, and maybe there will be a young apprentice listening to them and feeling left out of their stories.

The story created from our memories is one that never ends. There are many chapters, with many surprises along the way. For Akatsuki, they boy he met on that playground was just a memory. Who would have guessed that he, who was really a she, would appear back in his life many years later? This surprising turn of events might not have happened if Akari had not been sitting alone that afternoon. An ordinary moment in time became a surprising new chapter of many peoples’ lives. This story of friends who met once and parted ways only to meet again later on is something Akari should keep in mind when she becomes a prima. Her time as an apprentice will end, but no one knows what will happen later, or when someone you thought was just a memory will enter into your life again.

With this light-hearted episode, I’ll watch another Aria the Origination picture drama #3: Aiming for that Glorious Victory.

Aika gets Akari and Alice to play “the beautiful game.” For her to decide this in just one day makes me think that she got the idea from reading a manga. It’s cute how the uniform has the three company colors in it.

This leaves one more picture drama, and 12 more episodes for the last 10 weeks of the year. The next one will be Aria the Natural #1: That Encounter At The Carnevale…

Aria the Natural #11: That Precious Sparkle…

Brand identity is the key to building a steady business. Being a prima of Aria Company is an exclusive permission that gains Alicia many admirers, such as Akatsuki. “Snow White” is a title unique to her that can’t be imitated. Someone who wanted a tour from Alicia would not be happy if Akari took her place. But this is the position the artisans of Murano Island are in. Their glass can’t be said to be the same as the classical Murano glass.

Even so, Akari reminds Anton that he’s a part of a unique city with its own life and culture. It may be only a reflection of the true Venice, but Neo-Venezia is not lacking attractiveness. People come to the city to experience it as it is right now. So they will also appreciate the new Murano glass because of his craftsmanship, and that of the maestro. In the same way, Akari will gain her followers for being who she is and not merely Alicia’s apprentice. Even someone like Akatsuki could be a fan.

Anime glass horses

Real Murano horse

In the present day, real Murano glass is suffering the opposite problem. Counterfeiters thrive on the demand for cheaper and more readily available alternatives. As long as glass has been made in Venice, there have been imitation Venetian-style glass makers. Alicia hints at this when she mentions the ban on emigration from Murano. The law was never very effective. But restricting glass foundries to the island was also done to keep the large furnaces away from the fragile wooden buildings of Venice. However, smaller furnaces for beads were allowed to remain. So Akari was wrong that all the beads for the New Year festival were from Murano.

Next week’s episode is Aria the Natural #15: In the Center Of That Large Circle…

Aria the Animation #3: With That Transparent Young Girl…

Everyone knows that oil and water don’t mix. Hydrophobic compounds disrupt water’s hydrogen bonds. Entropy driven ordering then causes the disparate molecules to separate. Alice has a difficult time forming bonds with other people. When she’s around them, her social awkwardness is uncomfortable. It’s easier for her to practice rowing on her own, walk to school on her own, eat lunch on her own, etc.

Add an emulsifier, however, and you can mix oil in water. Egg yolk in Hollandaise sauce keeps it from separating. Alice would not have spoken to Akari if Akatsuki were not there. Normally, she’d be too self-conscious about socializing with Akari. But by being an irritant, he took the pressure off of her. She only thought about him and why Akari was being nice to such a rude person. Without realizing it, she was laughing and speaking casually with Akari. The oil and water had become friends.

Even a prodigy has things she needs to learn. Alice won’t be a Prima if she remains overly concerned with decorum. Akari already knows this as can be seen in her interaction with Akatsuki. She doesn’t worry about embarrassing herself, but neither does she worry about her customers behaving poorly towards her. She keeps smiling and finds a way to turn any situation into a positive experience. For Akatsuki, who’s angry because he’s broke and bored, she reminds him of why he became a salamander. Akari doesn’t know it now, but later she’ll hear the story of his dream to be the “protector of Aqua.”

Speaking of Akatsuki, April 16 is the birthday of Hirofumi Nojima.

Next week’s episode is Aria the Natural #2: Looking For That Treasure…

Aria the Natural #22: That Mysterious World…/That Guardian Of Aqua…

The adventure continues in “Through the Looking Glass” and what President Aria found there.

This is the other side of playing make-believe. Sure, things could be better. But there are a lot of ways they could be worse. A healthy dose of fantasy can make you appreciate the world as it is.

There’s no place like home.

The differences between the girl and boy sides of Neo-Venezia are subtle. Just cutting their hair and putting on pants isn’t enough to change Akari or Alice. In Aika’s case, she gets to grow her hair back, but that’s all. And Akira, well she’s virtually a man anyway. Maybe in the parallel world he’s actually more feminine.

Shut up, Minmay.

The most stunning change is given to Akatsuki. We haven’t been properly introduced to him (he was Akari’s first customer, in fact) but the story of his childhood tells us all we need to know. As he … err, she says in the song, (s)he works on the floating island to control the weather of Aqua. The gnomes, such as Al, live underground where they generate artificial gravity. Then there is Woody the sylph, who delivers messages and cargo, and the undines. These four classes of workers are named after elemental spirits.

The salamander, gnome, sylph, and undine spirits correspond to fire, earth, air, and water. The concept was written about by the 11th century monk Michæl Psellus. In a dialogue on pagan demons, he describes six classes: those four plus the first higher than air and the last lower than earth. The name “undine” is a recent addition, first appearing in 1818 (Undine: a fairy romance by Friedrich de la Motte Fouqué). It quickly replaced the older “nymph” so that it was used by Bayard Taylor in his 1872 translation of Faust.

What is probably the earliest use in English is Pope’s The Rape of the Lock. He mentions having learned of the spirits from a French book, Comte de Gabalis. But his portrayal of elemental spirits as invisible guardians of the Earth is likely the inspiration for later authors.

Some in the Fields of purest Æther play,
And bask and whiten in the Blaze of Day.
Some guide the Course of wand’ring Orbs on high,
Or roll the Planets thro’ the boundless Sky.
Some less refin’d, beneath the Moon’s pale Light
Hover, and catch the shooting Stars by Night.
Or suck the Mists in grosser Air below,
Or dip their Pinions in the painted Bow,
Or brew fierce Tempests on the wintry Main,
Or o’er the Globe distill the kindly Rain.

This image certainly sounds like Aqua. But for centuries, spirits were not viewed so brightly. The world at once provided nourishment and warmth to mankind, but simultaneously was cold and savage. The spirits of nature were often not welcome then, as when Pope mentions fierce tempests. (Although this is certainly also an allusion to the play.)

The 20th century saw a change in our relationship with the Earth. Advanced technology achieved feats that were once considered magical. The invisible world of nature that was once feared became the a place of hope and wonder. When Tolkien wrote his elves he emphasized their nobility. (Though he could not completely avoid the sinister characteristics in The Hobbit.) That’s been the dominant viewpoint since then. Along with Walt Disney’s cheerfully honest dwarves and pixies.

One does not care to acknowledge the mistakes of one’s youth.

So on Aqua, the elemental spirits are no longer invisible and mysterious tricksters. They are scientists, engineers, and technicians. The world of Aria is what happens when imagination becomes reality.

That said, I find it odd that gnomes and salamanders are doing the difficult work of terraforming. But the undines just laze about in gondolas giving sightseeing tours. Shouldn’t they be minding the vast ocean that covers Aqua? Doing biological and chemical analysis and stuff? Even the sylphs have a useful role. Not that tourism isn’t an important part of the economy. Perhaps there are true nymphs to take care of the scientific tasks.

This post was made possible by Google Books. Next week, Aria the Natural #5: The Wonder Of That Rainy Day…/The Discoveries On That Spring Day… (How fitting for the first full week of spring.)