Aria the Natural #5: The Wonder Of That Rainy Day…/The Discoveries On That Spring Day…

This episode could have been titled “Wherever you go, there you are.”

In two short stories that take place away from Neo-Venezia, we see Akari come across diverging paths. Because she isn’t a cranky old man living in New England, she doesn’t spend much time in thought, but chooses one then goes along with it. The ability to live in the moment is Akari’s gift. When she makes a decision, it’s with little hesitation and no regret afterwards. If you look too far into the future, or are not able to leave the past behind, you’ll miss the world around you right now.

The fox’s wedding can be attributed to this. We see the boy the whole time, playing with President Aria, then following Akari. At first, Akari isn’t aware of him because Alicia is with her. But when left alone, Akari’s clear vision allows her to see the spirits that surround her. A similar thing happens when she meets Cat Sith. Most people are wrapped-up in themselves and ignore such fascinating creatures. It is more difficult to see them because they are unusual and unexpected. That Akari is able to see them is just as fascinating to the spirits. In a more metaphorical sense, these “spirits” represent the fascination of ordinary things that often go unnoticed. When your mind is filled with thoughts about what was, what will be, or what you think should be, you lose the ability to see things for what they really are.

Cherry blossoms are commonplace throughout anime, and so are quaint railroad cars. This isn’t the only time I’ve seen a scene like this. Unlike an American show where a broken-down machine is a symbol of neglect and misery, the lone rail car here has a sense of peace to it. It looks more like a retired horse idly living out its last care-free days in a breezy pasture. The young undines come to visit and reflect on the past efforts that led to the world they’re living in now. It fills them with hopeful ambition to work just as hard as the people who built that railroad. Then, far in the future, they’ll be able to retire to their own pasture. This also makes me think of another breezy hilltop that overlooks Neo-Venezia. But there’ll be time for that later.

Spell Card: Undine Sign “Suteki”

No Aika in this episode. But we’ll more than make up for it next week with Aria the Natural #19: That Crybaby…/That Young Girl’s Heart…

Aria the Natural #22: That Mysterious World…/That Guardian Of Aqua…

The adventure continues in “Through the Looking Glass” and what President Aria found there.

This is the other side of playing make-believe. Sure, things could be better. But there are a lot of ways they could be worse. A healthy dose of fantasy can make you appreciate the world as it is.

There’s no place like home.

The differences between the girl and boy sides of Neo-Venezia are subtle. Just cutting their hair and putting on pants isn’t enough to change Akari or Alice. In Aika’s case, she gets to grow her hair back, but that’s all. And Akira, well she’s virtually a man anyway. Maybe in the parallel world he’s actually more feminine.

Shut up, Minmay.

The most stunning change is given to Akatsuki. We haven’t been properly introduced to him (he was Akari’s first customer, in fact) but the story of his childhood tells us all we need to know. As he … err, she says in the song, (s)he works on the floating island to control the weather of Aqua. The gnomes, such as Al, live underground where they generate artificial gravity. Then there is Woody the sylph, who delivers messages and cargo, and the undines. These four classes of workers are named after elemental spirits.

The salamander, gnome, sylph, and undine spirits correspond to fire, earth, air, and water. The concept was written about by the 11th century monk Michæl Psellus. In a dialogue on pagan demons, he describes six classes: those four plus the first higher than air and the last lower than earth. The name “undine” is a recent addition, first appearing in 1818 (Undine: a fairy romance by Friedrich de la Motte Fouqué). It quickly replaced the older “nymph” so that it was used by Bayard Taylor in his 1872 translation of Faust.

What is probably the earliest use in English is Pope’s The Rape of the Lock. He mentions having learned of the spirits from a French book, Comte de Gabalis. But his portrayal of elemental spirits as invisible guardians of the Earth is likely the inspiration for later authors.

Some in the Fields of purest Æther play,
And bask and whiten in the Blaze of Day.
Some guide the Course of wand’ring Orbs on high,
Or roll the Planets thro’ the boundless Sky.
Some less refin’d, beneath the Moon’s pale Light
Hover, and catch the shooting Stars by Night.
Or suck the Mists in grosser Air below,
Or dip their Pinions in the painted Bow,
Or brew fierce Tempests on the wintry Main,
Or o’er the Globe distill the kindly Rain.

This image certainly sounds like Aqua. But for centuries, spirits were not viewed so brightly. The world at once provided nourishment and warmth to mankind, but simultaneously was cold and savage. The spirits of nature were often not welcome then, as when Pope mentions fierce tempests. (Although this is certainly also an allusion to the play.)

The 20th century saw a change in our relationship with the Earth. Advanced technology achieved feats that were once considered magical. The invisible world of nature that was once feared became the a place of hope and wonder. When Tolkien wrote his elves he emphasized their nobility. (Though he could not completely avoid the sinister characteristics in The Hobbit.) That’s been the dominant viewpoint since then. Along with Walt Disney’s cheerfully honest dwarves and pixies.

One does not care to acknowledge the mistakes of one’s youth.

So on Aqua, the elemental spirits are no longer invisible and mysterious tricksters. They are scientists, engineers, and technicians. The world of Aria is what happens when imagination becomes reality.

That said, I find it odd that gnomes and salamanders are doing the difficult work of terraforming. But the undines just laze about in gondolas giving sightseeing tours. Shouldn’t they be minding the vast ocean that covers Aqua? Doing biological and chemical analysis and stuff? Even the sylphs have a useful role. Not that tourism isn’t an important part of the economy. Perhaps there are true nymphs to take care of the scientific tasks.

This post was made possible by Google Books. Next week, Aria the Natural #5: The Wonder Of That Rainy Day…/The Discoveries On That Spring Day… (How fitting for the first full week of spring.)

Aria the Animation #8: That Melancholy President…/That Cool Hero…

First of all, happy birthdays this week for two of the three most important people in Aria: Junichi Satō (3/11) and Chiwa Saitō (3/12). Of course, the third is Kozue Amano, and this episode is her favorite from the first season.

Puunya Man

I don’t think anyone ever stops wanting to be a hero. Comic books are for children who lack the power to turn their dreams into reality. But with maturity, you’re expected to refrain from fantasizing while at the same time learning how to achieve realistic goals. So saving the world from destruction becomes exceeding the monthly sales forecast. Mundane as it may be, it’s still a heroic desire to be great, to reach for the stars. In normal life it may mean just being the best at whatever you do. When taken literally, it means terraforming Mars. Aqua was surely built by heroes.

Cue Chariots of Fire

We see more of President Aria’s intelligence as he cooks, types, and (in a way) talks. Gondola companies in Neo-Venezia have traditionally given the title of “President” to a cat with blue eyes. The superstition is that the color of the eyes represents the sea, thus is good luck for those who work on water. But it’s also out of respect for Aqua. Wild cats have made it their home for as long as it’s been livable. They’re a reminder to the people who live there that the planet, although created by humans, does not entirely belong to them.

Incidentally, President Hime was born on Manhome, not Aqua.

Next episode is Aria the Natural #22: That Mysterious World…/That Guardian Of Aqua…

P.S. President Aria visited Palazzo Contarini del Bovolo.

Aria the Origination #2: That Smiling Customer…

This scene reminds me of season 2, episode 5

When I was growing up I loved looking at maps. I’d look for hidden roads or strange features that you wouldn’t find by traveling the well-worn routes. After circling spots on the map of my town, I’d spend the afternoons and weekends exploring those places. I believed these were my own special discoveries. I still enjoy studying maps, though more for the aesthetics of the map itself, particularly antiques. Of course I’ll never explore those places with the same wide-eyed enthusiasm. That’s a fantasy reserved for 12-year olds. And a leniency; property owners would react much differently if I acted the same way now.

Under the microscope

Adults are expected to behave with restraint. But that’s no reason to ignore the lessons of childhood. As a child you were told to accept the world as it is. When you mature, you gain the tools to change the world to suit your needs. What you do with that responsibility determines how much respect you will be granted by others. And it is built on the imagination fostered during youth. Back then, the world was your playground. But now your playground is not limited to places on a map. You are creating the world you will play in, and get to draw the map yourself.

And then you get to watch your children explore your world, and use their imagination to set the stage for the future. This episode told a similar story from two perspectives. We saw how Akari explored Neo-Venezia and the places she found. But to the residents of the city, Akari herself is much more interesting. So you have this picture of her gondola as seen through a window. It’s as if the city is watching Akari as intently as she is focused on it.

When I planned to watch Aria each week, I overlooked the picture dramas on the Aria the Origination DVDs. Since I’ve now seen the first three episodes, this is a good time to look at the first of these.

Aria the Origination Picture Drama #1: Pajama☆Party

A traditional hot springs and girls’ talk episode (with fan-service). Alice, despite her age, takes sadistic pleasure in pushing Aika’s buttons. Of course, that isn’t at all difficult, particularly with regards to her love life. Aika has no defenses when it comes to Al.

We had a birthday this week, March 5th, for Yoshiko Matsuo, the voice of Grandma. You can hear her as another Grandma in Tamayura, which will be start its second season this July.

Next week I will be watching Aria the Animation #8: That Melancholy President… / That Cool Hero…